MDIA 217 Social Issues in Postwar Italian Film, Photography, and Literature
The critical lens of this course focuses itself on the abiding connection that exists between aesthetics and ethics to highlight how this connection manifests itself in a wide range of Italian cultural texts produced by and disseminated via the techniques and technologies of film, print media, and the studio arts (among others). Participants in this course will specifically engage and actively evaluate how Italian artists and creatives demonstrate their keen awareness of the complex social contexts giving rise to their work while at the same time articulate a response to the most pressing social issues of their age. Course modules are organized around the Pier Paolo Pasolini's concept of the "vital crisis" or that creative impetus motivated by cultural or social turmoil that gives rise to new and invigorating cultural texts, movements, and forms. While the bulk of the course's critical attention will be paid to the 19th, 20th, and 21st centuries, participants will also explore the historical origins of the tendency of Italian artists to aesthetically explore ethical questions at the heart of society and its politics. Course themes include, but are not limited to: the environment, governmental change, war, plague, mafia, industrialization, migration, and religion. (Fulfills humanities/lit requirements of the old curriculum; Proposed for the new Gen Ed literature requirement)
Cross Listed Courses
ITAL 217 & MDIA 217